Stormy animal day

Hills of Gros Ventre and Blacktail Butte south

Hills of Gros Ventre and Blacktail Butte south

It was a stormy day in the Jackson Hole area, so we decided to go out looking for animals. There were moose reported out past Kelly and that’s what I was hoping to capture. As luck would have it, those moose were as far away as possible. That’s the way animal photography works most of the time.

The first shot on the right ended up being my favorite because of the interplay between light, shadows, shapes, and branches.

As luck would have it, there were several nice images that rendered well in black and white. One even surprised me that I thought it would look good in b&w but actually looked better in color because the green standing out against the plain brown and slate gray of everything else is what caught my eye.

DSC_D8_9777DSC_D8_9752< Posing, making some interesting triangles with his face and horns.

Walking in the landscape as a small animal, this young one has to keep a sharp eye out for trouble. As bighorn sheep seem to have very acute vision, this didn’t seem to be a problem for him. >

DSC_D8_9747DSC_D8_9740< I was quite excited to actually get an “okay” shot of two bighorn sheep head butting. I heard the crack several times but every time I looked, they were just standing around like nothing had happened.

Some of these sheep will come right up to your vehicle on the refuge road. Of course you have to be very careful when you drive around and it’s best not to get out of the vehicle. They like the chemicals and salts falling off vehicles, so they’ll actually come up and lick car tires. I did my boy scout duty today and towed a guy in a Nissan Altima out of the ditch on the side of the road. He tried to be proper and pull off to the side, only to immediately sink into 2 feet of snow, swamping his car. A little tow strap action got him on his way.

DSC_D8_9738DSC_D8_9727These young bighorn sheep look rather cuddly, though I’d not like to have one around once he gets older. He might give me a huge headache.

Kelly was able to get some video of this young ram munching on the refuge road twigs. He was so loud her iPhone actually captured the crunching. That was the funniest thing of the day.

DSC_D8_9723DSC_D8_9716Even though the animals were fun to photograph, I found some arguably more interesting scenes to capture. A few of them turned out fairly well. I haven’t decided what the power line and the crepuscular rays say, so you’ll have to make your own interpretation.

The sastrugi raking off the sage sticking out of the snow reminded me of Antarctica. Of course continent 7 doesn’t have any plants, but the windswept shapes of snow reminded me of Antarctic Tears.

DSC_D8_9711-Edit-2

At first I thought this shot would look great in black and white but it was the green against the brown gray of everything that actually caught my eye. Once I toned the image, it had not excitement. So the color version actually ended up working better. Finding shots where there’s a single item that’s out of place with the rest always makes for an interesting shot.

DSC_D8_9703DSC_D8_9684The moose was way out there, sitting, down, and facing away. He was no doubt tired from the photography and video he enjoyed having done on him the past couple days. I was hoping for something more exciting. But I’d be resting, too, if I had to run around all day in winter munching on twigs. The wind cooperated and make a blasting bison shot. I was hoping for some worse wind but this worked okay.

DSC_D8_9671DSC_D8_9669Hunters were along the refuge road looking for their prize elk all day. There have been some big disputes about the hunting here but I’ll leave that to other forums to discuss.

The hunters had to slog through knee deep snow to go after the animals they were looking for, so they had to work for their food.

DSC_D8_9663

Flat creek is the perfect place to catch swans, cygnets (baby swans) and mallards One doesn’t even have to drive barely past town to capture these magnificent animals.

Bad weather days are actually very nice to photograph in because there are far fewer people, the light is more interesting, and the drama can be much higher. A plain bison standing in sage in the middle of the summer – boring. A bison laboring to find something to eat while being blasted by 20 knot wind-driven snow – interesting.

Click on any of these photos to see a larger version.

Note – As always, all of these images are copyright and are not in the public domain. Please contact me if you’d like to use them. For most uses, I’ll happily oblige.

Happy shooting as we head into Thanksgiving!

The post Stormy animal day appeared first on Aaron Linsdau.

The Reality of a Photo Shoot

Have you ever dreamed about a lovely vacation shooting photos in an exotic location? What is it really like on assignment for a focused, extended photo shoot? I was fortunate to be able to take a multi-week photography assignment in the beautiful spring desert of southern Utah. During the shoot I tried to record activity, conditions, and details of the shooting.  I was on the road for 39 days - 3 for logistics and 36 for travel and shooting. I visited 5 National Parks, 5 National Monuments, 5 National Forests, 4 state parks, 2 scenic byways, 3 scenic back ways, and several undesignated public lands. The total travel was over 4,000 miles - 1,520 in the RV and 2610 in the Jeep - or about 106 miles per day.  I camped in 9 different locations and based the shooting time out of these campgrounds.

Arches-9089Arches-9089 Sounds like a lot of fun, right? I was up every day between 4 and 6 AM with the exception of three travel days when I slept-in until about 6:30. While there were good night sky conditions on 9 nights (25%) I had only three night shoots lasting until 11 PM or midnight but this was partially because of the weather. On most days I tried to shoot between around 5 or 6 AM and 10 AM and, often, again between 4 and 9 PM for the best lighting conditions.

Arches-2-9841Arches-2-9841

Conditions are variable, at best, in the spring desert. On 23 of the nights (64%) the temperature dropped below 35 degrees but that was easy to handle with proper clothing.  The big problem was late afternoon and evening overcast and wind. On 21 of the days (58%) the wind was consistently above 20 mph. On 18 of the days (50%) gusts were above 30 mph. During one dawn shoot the wind in Dead Horse Point State Park was gusting to 57 mph and the temperature at the dawn shoot was 28 degrees - the joys of photography. With gusts to over 50 mph, I could barely keep my tripod upright, much less stable for long-exposure shots.

Good weather is also a problem for a photographer. The skies were gray and overcast during all of the day on 7 days (19%) but actually stormy on only one day (3%.) The sky was a boring, robin egg blue on 23 days (64%) making mid-day photography unproductive. There were "good" clouds on only 5 days (14%.)

Capitol Reef-1087Capitol Reef-1087

As far as photography goes, I shot a total of 4,569 shots during the 36 days of shooting or about 152 shots per day. I had no quota and tried to be relatively selective but yet capture multiple shots of each compelling subject. While I brought my usual cascade of gear including 3 camera bodies, 7 lenses from 17 to 600mm, 2 tripods, 3 light sources (strobe, ring, and LED), multiple filters, plus the usual spare batteries, memory cards, laptop, external hard drive, and endless connectors, I didn't shoot a single shot with the crop-sensor cameras or the lenses from 300-600mm. This is strange because in my usual wildlife photography around Jackson, I shoot about two-thirds of my shots with a crop sensor body and the 400-600mm lenses. What a difference for landscape work. I shot 3696 shots (81%) using a 24-70mm f/2.8 zoom, 275 shots (6%) with a 17-40mm f/4 wide-angle zoom, 270 shots (6%) with a 70-200mm f/2.8 short telephoto zoom, and the final 328 shots (7%) with the 70-200mm and a 1.4x teleconverter.

Escalante-1386Escalante-1386

On the trip I visited Arches, Canyonlands (Island in the Sky and the Needles districts), Capitol Reef, Bryce Canyon, and Grand Canyon (north rim) National Parks. The national monuments visited included Natural Bridges, Grand Staircase Escalante, Vermilion Cliffs, Cedar Breaks, and Pipe Springs. The Utah state parks included Dead Horse Point, Newspaper Rock, Coral Pink Sand Dunes, and Kodachrome Basin.  The scenic drives between locations could be destinations in themselves.  I will be placing images of each of the locations in the Galleries under the National Parks and Public Lands tab on this website.

Despite the high winds and cold conditions, it was an experience of a lifetime.  Southern Utah and northern Arizona have together the largest concentration of National Parks, Monuments, and other public lands of any place in the world. While conditions are unbearable for much of the summer and variable during other months, the panoramic vistas, amazing rock formations and bewildering array of flora will provide a desert experience second to none.

 

The Reality of a Photo Shoot

Have you ever dreamed about a lovely vacation shooting photos in an exotic location? What is it really like on assignment for a focused, extended photo shoot? I was fortunate to be able to take a multi-week photography assignment in the beautiful spring desert of southern Utah. During the shoot I tried to record activity, conditions, and details of the shooting.  I was on the road for 39 days - 3 for logistics and 36 for travel and shooting. I visited 5 National Parks, 5 National Monuments, 5 National Forests, 4 state parks, 2 scenic byways, 3 scenic back ways, and several undesignated public lands. The total travel was over 4,000 miles - 1,520 in the RV and 2610 in the Jeep - or about 106 miles per day.  I camped in 9 different locations and based the shooting time out of these campgrounds.

Arches-9089Arches-9089 Sounds like a lot of fun, right? I was up every day between 4 and 6 AM with the exception of three travel days when I slept-in until about 6:30. While there were good night sky conditions on 9 nights (25%) I had only three night shoots lasting until 11 PM or midnight but this was partially because of the weather. On most days I tried to shoot between around 5 or 6 AM and 10 AM and, often, again between 4 and 9 PM for the best lighting conditions.

Arches-2-9841Arches-2-9841

Conditions are variable, at best, in the spring desert. On 23 of the nights (64%) the temperature dropped below 35 degrees but that was easy to handle with proper clothing.  The big problem was late afternoon and evening overcast and wind. On 21 of the days (58%) the wind was consistently above 20 mph. On 18 of the days (50%) gusts were above 30 mph. During one dawn shoot the wind in Dead Horse Point State Park was gusting to 57 mph and the temperature at the dawn shoot was 28 degrees - the joys of photography. With gusts to over 50 mph, I could barely keep my tripod upright, much less stable for long-exposure shots.

Good weather is also a problem for a photographer. The skies were gray and overcast during all of the day on 7 days (19%) but actually stormy on only one day (3%.) The sky was a boring, robin egg blue on 23 days (64%) making mid-day photography unproductive. There were "good" clouds on only 5 days (14%.)

Capitol Reef-1087Capitol Reef-1087

As far as photography goes, I shot a total of 4,569 shots during the 36 days of shooting or about 152 shots per day. I had no quota and tried to be relatively selective but yet capture multiple shots of each compelling subject. While I brought my usual cascade of gear including 3 camera bodies, 7 lenses from 17 to 600mm, 2 tripods, 3 light sources (strobe, ring, and LED), multiple filters, plus the usual spare batteries, memory cards, laptop, external hard drive, and endless connectors, I didn't shoot a single shot with the crop-sensor cameras or the lenses from 300-600mm. This is strange because in my usual wildlife photography around Jackson, I shoot about two-thirds of my shots with a crop sensor body and the 400-600mm lenses. What a difference for landscape work. I shot 3696 shots (81%) using a 24-70mm f/2.8 zoom, 275 shots (6%) with a 17-40mm f/4 wide-angle zoom, 270 shots (6%) with a 70-200mm f/2.8 short telephoto zoom, and the final 328 shots (7%) with the 70-200mm and a 1.4x teleconverter.

Escalante-1386Escalante-1386

On the trip I visited Arches, Canyonlands (Island in the Sky and the Needles districts), Capitol Reef, Bryce Canyon, and Grand Canyon (north rim) National Parks. The national monuments visited included Natural Bridges, Grand Staircase Escalante, Vermilion Cliffs, Cedar Breaks, and Pipe Springs. The Utah state parks included Dead Horse Point, Newspaper Rock, Coral Pink Sand Dunes, and Kodachrome Basin.  The scenic drives between locations could be destinations in themselves.  I will be placing images of each of the locations in the Galleries under the National Parks and Public Lands tab on this website.

Despite the high winds and cold conditions, it was an experience of a lifetime.  Southern Utah and northern Arizona have together the largest concentration of National Parks, Monuments, and other public lands of any place in the world. While conditions are unbearable for much of the summer and variable during other months, the panoramic vistas, amazing rock formations and bewildering array of flora will provide a desert experience second to none.

 

When you feel the need for speed

I have commented previously about the time spent at a computer in our world of high-resolution digital photography. When I am not out shooting, I am often in the office in Jackson, Wyoming at the computer importing, tweaking, categorizing, editing, and backing up large numbers of digital images.  One of the first things I learned was don't try to do this on your average laptop.

Today's high-end digital cameras produce raw file images that easily exceed 25 - 40 megabytes per image. Large multi-layer edits and specialized combined images, like panoramas, can easily kick the file size up to 100 or 200 megabytes or even a gigabyte in size. Handling these huge files takes some serious computing power.

My recommendation for an office / studio computer for high volume editing is a traditional tower computer - usually a high speed model designed for gaming. These gaming PCs have high power processors, lots of memory, a dedicated video processor with additional memory, and high speed peripheral ports to external devices. My office system is based around such a gaming PC and is shown on the cover photo of this post.

Let's take a look at some of the specs needed to handle today's large files and editing software. I have a CyperPower PC available from many gaming PC distributors. The heart of this monster is a 4.33 MHz dual-core processor accessing 16 GB of RAM and driving a high speed video card with an additional 2 GB of memory. This is a good kick-start but the real accelerator in the system is a solid-state drive (SSD) that houses all of the operating system and all software. The SSD is between 4 and 10 times faster than the best mechanical hard drive and the speed is evident when you are opening large files. There is a Blu-Ray DVD / CD drive for loading software and burning preview disks for clients.  The traditional 2 TB internal hard drive and 3 cooling fans completes the guts of the tower.

I have chosen USB-3 peripherals. You can use fire-wire and other proprietary connections but I like the ease of use and wide compatibility of the USB connectors. The tower has 2 USB-3s in front and 4 in back along with a few USB-2s for I/O devices like keyboards and tablets.  I chose Logitech wireless wave keyboard and wireless 4-button / wheel mouse for general input and control of the machine. Another port is used for a high speed card reader for my CF and HSSD camera cards.

Also using the USB-3 connectors are a series of external hard drives for back-up and additional archiving of images. I use a pair of 4 TB primary back-up drives, a 2 TB travel drive, and a 1T drive with the SSD image just in case this highly reliable device should fail or be corrupted. Another option is a RAID drive with automatic dual-drive back-up. It is on my wish list but the high cost and lack of higher capacity make me stick with the twin 4 TB externals. When a 16 GB RAID device is available at a reasonable cost, that will be the way to go.

The main editing interfaces are a pair of 27" ViewSonic high resolution monitors linked by HDMI to the PC. Two large monitors are almost essential to efficient editing. When I am working in Adobe LightRoom, I use the keyboard/mouse with the interface on the right-hand monitor and a full-screen image on the left-hand monitor. This saves constant switching back and forth to full-screen views after each edit. When I need to open PhotoShop for more advanced pixel-level editing, it comes up on the right-hand monitor above the Wacom Intuos-5 digital tablet.  I simply angle my chair a little to the left and pick up the stylus and I am ready to go. When I save the edited image, it drops back into LightRoom on the right-hand monitor and I am ready to move on.

In a nutshell, the keys for efficient digital editing are a high speed processor with lots of RAM and plenty of external disk space for back-ups. Meticulous cataloging and key wording of images and daily back-up of your work should allow you to stay in the field shooting and minimize your time at the computer.