Make Lemonade! : Smoke Filled Days of 2020

My suggestion is to embrace the thick smoke when you can and look for unique opportunities.

Déjà Vu…right? This is not the first year we’ve had smoke filled skies. Actually, we get at least some of it every year. It just happens to feel “early” and it feels “thicker” than usual this year!

You’ve probably heard the joke, “If life deals you a bunch of lemons, make lemonade.” Comedian, Ron White, says “If you end up with a lot of lemonade, find someone with a lot of vodka and have a party!”

Smoky Mountains

Currently, Jackson Hole, and essentially all of the west, is being inundated with thick smoke from the California and other regional wildfires. There’s nothing any of us can do to sweep the smoke out of here. Mother Nature will have to do that. More than likely, any relief will probably short lived for most of the rest of summer and into fall. Large fires are burning in almost every western state, so unfortunately there is no relief in the forecast.

The photos on this page were taken within the past week and will hopefully give you some ideas and inspiration.

First Sun

If you go out early, the sun will the brightest orange you will ever see as it clears the eastern mountains.

Surnrise JH

Depending on how you process your images, you can “swing” the look in programs like Lightroom, Photoshop, or Elements. Gold…amber…blue…lavender…your choice!

Hazy Barns

The smoke “layers” landscapes as seen above.

Hazy Skies

Over the last few days, there have been chances to see the “filtered” Tetons, while other days, the smoke is so thick it is impossible to see them from the highway.

Hazy Sunset

While mornings seem to be best for landscapes here, evenings can also be good if the smoke is not too thick.

Sunset at Schwabacher Landing

I took this photo before the thickest smoke entered the valley. If the wind clears the smoke, the sunrise and sunsets will probably still have the beautiful gold and amber colors.

First Light Bison

Wildlife photography can also have an entirely different look. Make lemonade!

Shoshone

I took this photo at straight up noon. Normally, moose would be bedded down during the hottest part of day, and if you did find them, the light would be terribly harsh. With a thick layer of smoke, days can be cooler and animals might be more visible in the middle of the day. The smoke works as a giant light box, softening the light and adding an amber cast.

Purple Lupines

The trick is to concentrate on close subjects for some “looks” and watch for layered shots in others. As with any other overcast day, colors can be abnormally saturated.

Shoshone in Haze

Subjects taken at 40 yards of farther will have a noticeable haze and color shift. Closer would be better on most shots, but the haze can work well enough on others.

Musk Thistle

Leaves, berries, flowers, and pine cones can usually be photographed at close range, effectively eliminating the haze issue. These are Musk Thistle flowers and even though they are considered an invasive species, I can find beauty in them.

Bison Portrait

The Dehaze filter found in Adobe Camera Raw in Photoshop and Lightroom can come in handy to eliminate some of the haze. In some cases, especially if the subject is relatively close, the filter can recover some of the density lost to the smoke. You’ll find it adds contrast plus deepens the blues and greens.

Afternoon Bison Herd

Sometimes, the haze can add to a scene like the one above. Close subjects can be dense and dark, while distant elements can have a ghost-like look. The haze can often have a granular or grainy texture.

I have to admit that I will be happy to get back to “normal” at some point in the future, but for now, there are plenty of unique opportunities if you look for them. Time for some lemonade! > MJ


I am accepting photo tours for the summer and fall…with modifications! August Tours Available!

Normally, I drive my tour clients around in my vehicle. During the COVID-19 pandemic, I’ve opted to offer tours by letting clients follow me in their vehicles. This allows for ample social distancing. I purchased several pairs of walkie-talkies to allow me to communicate while driving. Instead of eating inside one of the restaurants, I Creekside Market will make sandwiches to order for the day’s trip. Masks, hand sanitizer, and disinfectant wipes will be provided. If you have questions, please ask!

The goal is to keep both of us safe, yet cover most of the same areas of the park.

Photo tours help me pay bills and continue to add content to this site. Keep me in mind if you are going to be in the valley! My tours are licensed by the National Park Service and National Elk Refuge.

Best of the Tetons Photo Tours

I offer year round photo tours in Grand Teton National Park. Seasons are changing! Book now! Click the image for additional information.

Client Comments: “As a published and passionate photographer, I recognized Michael Jackson’s extraordinary skills as a photographer. Today I learned more about composition and creative technical ideas than I ever could have imagined.” G.S., Jackson Hole.

The post Make Lemonade! : Smoke Filled Days of 2020 first appeared on Best of the Tetons, Area Info & Photography.

Old and New Photographic Technology in One Challenging Shoot

A few days ago, I took a quick photo of the T.A. Moulton Barn along Historic Mormon Row in Grand Teton National Park. I included it below. Clouds weren’t exactly inspiring, but there were at least a few low clouds in front of the Grand. It wasn’t much of a photo, I readily admit! I think of these kind of images as reconnaissance photos or record photos. I make a mental note of the spot, then plan on going back when conditions are more to my liking. Over the years, I’ve taken thousands of photos of the Mormon Row Barns. It’s a challenge to photograph them differently than the thousands of photographers that have stood in the same spots over the past 75 years!  I am always looking to photograph them at different distances or different angles. An irrigation ditch runs under the road, through a head gate and then diagonally across the pasture in front of the T.A. Moulton Barn. A few times a year, water in the ditch is high enough to offer unique opportunities if you set up just above water level. TA Moulton Barn The photo I took earlier was okay, but it needed some extra time at the point of capture. I focused on the close bank, and even at F/11, the barn was slightly out of focus. If I had focused on the barn, the water, reflections, and close leaves would have been out of focus. Lastly, I was there a little too early in the day. Early morning shadows from the cottonwoods stream across the foreground and across the left half of the barn. Like I said earlier, was a reconnaissance shot. Continue reading "Old and New Photographic Technology in One Challenging Shoot"

An “Artsy” Technique in Photoshop

split view The Clarity Slider in Lightroom and Adobe Camera Raw is often used to make an image appear a bit sharper and to add some edge definition. If you push it too far, the image can start taking on an HDR or grunge look. This technique takes advantage of the same slider, but instead, eliminates detail. In reality, this is quick and simple. One layer consists of the simplified image and another layer above it is an outlined version of the original image set to multiply mode.  If you are a power Photoshop user, you can probably just look at a few of the examples and know what to do. Continue reading "An “Artsy” Technique in Photoshop"

Working in 16 Bit Mode

Memory is Cheap — Memories are Priceless!

I typically shoot in 14 bit and process in 16 bit in Photoshop as long as I can. Here’s why…

16 Bit Clobber and Recovery

The issue is not what you can see, or what your monitor can display, or what your printer can print—but what is under the hood of the file! I believe you will be amazed by the examples! (For this article, 8 bit vs 16 bit refers to Color Bit Depth while using Lightroom and Photoshop.) 14 Bit Capture 16 Bit Image 16 Bit Export The image above was captured with a Nikon D810 in 14 bit mode. I set that in the camera’s menus long ago and never looked back! The files are much larger, so they fill cards faster, fill the buffer quicker, and possibly slow down the frame rate on some cameras. You might consider these issues up front. You can always “downgrade” a capture during your workflow, but you can’t “upgrade” one. As seen in the screen grab, I export images from Lightroom to Photoshop by selecting the 16 bits/component option. Continue reading "Working in 16 Bit Mode"