Discovering Bandelier National Monument

Fog Over Frijoles Canyon

During my trip to the southwestern United States this past fall, one of my destinations was Chaco Culture National Historic Park, or more commonly known as, Chaco Canyon. Turning off the highway overrun these days with traffic for the oil and gas industry, I began the winding journey down the back roads to Chaco Canyon, only to find 15 miles in that the campground was full. An amazing thing about Chaco Canyon is that it’s in the middle of nowhere. A downside to Chaco Canyon is that it’s in the middle of nowhere. The nearest lodging, assuming I wanted to go that route, was over two hours away and I wasn’t quite sure just how far back the oil industry was destroying our beautiful BLM lands, so camping anywhere nearby was out of the question. I pulled out my atlas and found two national monuments still in northwestern New Mexico, but neither of them terribly close, either being a good bet for camping though. I went with the closer one, which wound up being Bandelier National Monument.

Driving in from the east, I began climbing into the Jemez Mountains, home to ancient volcanoes buried in vast ponderosa pine forests between high desert regions. A fascinating natural landscape along the way that I was interested in exploring was the Valles Caldera National Preserve. This is the heart of the ancient volcanoes that are scattered throughout the mountains. Today, it’s an enormous open valley with large elk herds that frequent the area. My wish for the area is to reintroduce native species, such as gray wolves and bison, to create a healthier landscape that could easily rival Yellowstone National Park’s Lamar Valley, Serengeti of America. Desperate for a campsite however, I continued onward to Bandelier National Monument.

Night Sky Above Pine Trees

I arrived at the campground at sunset and had much of it to myself, allowing me to secure a spot conducive to capture some night photography before sleeping off the extra driving time added to my day.

I woke up early the next morning shortly before sunrise and excited to explore my new surroundings. I immediately got up made my way into the main area of the national monument. Along my drive to the Visitor Center, I found a few mule deer browsing on some breakfast before I stopped at a scenic overlook to watch a foggy, though beautiful sunrise above what I was soon to learn was Frijoles Canyon, the primary destination for visitors to the park. I continued my drive into the canyon and parked at the Visitor Center. Still closed. So, I had a quick breakfast in the nearly freezing temperatures and began hiking toward some ruins, which as I found out is apparently what the park is known for.

I soon discovered that the interesting thing about these ruins is that they were built directly into the eroded holes and crevices of volcanic tuff. All of a sudden the site took on a new life for me as I eagerly followed the trail, zig-zagging through complexes and taking spur trails up a ladder into a natural cavity in the rock. Thanks to my early arrival, I was free to take my time composing shots and experiencing the ruins in solitude and peace without the screaming apathetic adults and iPad-withdrawn children running up and down the pathway doing the insulting, stereotypical Indian call. That all came as I was hiking out, thankfully.

Long House and Tuff Cliff

Past the the Big Kiva, Tyuonyi, and the Talus House, I found myself at the Long House as I noticed one or two people appearing on the trail far behind me. Undeterred, I kept my pace as I tried to find a decent composition of the Long House in the limited space I had to work with.

Still feeling the enjoyment of the moment, I descended from the ruins into the autumn cottonwood trees and found a fork in the trail. Left would bring me back to the Visitor Center, right would bring me to the Alcove House. With a few people already heading to the Alcove House after skipping the main ruins, I decided to take advantage while it was still relatively quiet.

The hike became more scenic as the trail quite gradually ascended up the canyon. The gradual incline ended though at the spur to the Alcove House which climbs up a cliff via four ladders. For those with a fear of heights, find a comfortable rock and grab a snack while your friend(s) get a picture for you. For those without a fear of heights, the trail climbs beautifully up the cliffs of volcanic tuff, each ladder happily exposing a new view of the canyon below. The reconstructed Alcove House itself sits tucked away modestly in a large alcove (for lack of a better word) carved away by erosion and time, a nice escape from the clustered ruins downstream.

I had a nice stroll through the fall cottonwoods on my way back to the Visitor Center to get more information about potential hikes and answers to general questions. The rangers gave me a wealth of information, but neglected to mention that if I drove out, I wouldn’t be allowed to drive back in, something I learned the hard way after running a few errands in the nearest town. With no alternative, I parked at my campsite and evaluated my two options for how to enjoy the rest of my day around Frijoles Canyon: take the shuttle back to the Visitor Center, or hike back to the canyon. I found the latter to be a more refreshing choice, probably aided by the fact that I had been reading Desert Solitaire by Edward Abbey at the time. In fact I think I felt Abbey’s ghost slap me for taking so long to evaluate the two options. I packed up, and headed down the Frey Trail, passing a very bored looking group waiting for the shuttle. Good call, Ed.

Frijoles Canyon

I was pleased to have the trail to myself. After all, why cut yourself off from the outside world with roads and cars when you can immerse yourself in it simply by taking a few steps? The solitude gave me the enjoyment of watching distant storms roll off the mountains as thunder murmured from the large clouds far away. Birds chirped and squirrels raced home in anticipation of my crossing their territory as the trail approached the canyon and the view down was nothing short of spectacular. It continued for the entire length down until I was back where I was this morning. I crossed the canyon floor and this time began up a long trail that rose up the hill on the opposite side of the canyon. It was this trail that caused me to briefly regret not being more prepared to get a backpacking permit earlier that day. My appetite to explore deeper and deeper into the monument was whet with every new opportunity to peer farther up the canyon.

Instead, I reached the top of the hill and wandered about the trails for a mile or so before heading down to the canyon, and ultimately, back to camp. The highlights included an unexcavated ruin site, a large ant hill, and a tarantula, all of which may make an appearance in my upcoming light pollution film.

Abert's Squirrel in Tree

My hike back to camp was a longer one, not so much in distance, but in time. A few time-lapses, audio recordings of crickets, and just a general natural contentment contributed to my carefree course back to camp. By the time I got back, the sun had set long ago and I had only enough time to eat a quick dinner before it was dark enough to shoot a couple of night time-lapses before bed.

The next morning was spent down at the Visitor Center in pursuit of a creature that had intrigued and eluded me the day before: the Abert’s Squirrel. It’s similar in many ways to the standard grey squirrel found across the country, but with a pure white underside and large rabbit-like ears. I spent about 45 minutes stalking and sneaking through the trees trying to catch at least a halfway decent shot of one, only to have them taunt and laugh at me from the tree tops. At least, it seemed that way from my view. I was able to catch a bit of video of a pair chasing each other around, but good still photography shots were lacking. Abert’s squirrels 1, me 0.

Tsankawi Trail

Later that morning I drove over to the Tsunkawi section of the park on my way to Santa Fe. It contains another unexcavated ruin site sitting atop a butte made up of more volcanic tuff, though surrounded much more by high desert terrain. For those needing immense drop-offs and enormous mountains to be entertained, skip this section. For those that can find subtle beauty in a landscape while appreciating the culture and history found literally beneath your feet, this is not to be missed. The hike around the butte is quite scenic (in the subtle way) and contains many more ruin sites and of course, petroglyphs. Get there early in the morning or more toward the evening for the best photographic opportunities.

The next time I visit Bandelier National Monument, I hope to have at least a week to spend exploring its backcountry. Though I saw all the main sites, I know I only scratched the surface of the wonder and natural beauty spread throughout its 33,000 acres.

Introducing Free Roaming Films

Free Roaming Films

With work officially underway on my documentary, I’ve decided to set up a sister site to this one to focus on the film itself, as well as other related projects. Naturally, I’m calling the site Free Roaming Films.

Currently the site is just getting underway, but I have a few blog posts to populate it, along with information about the short film I released a few months back. For now, the social media presences still point to the Free Roaming Photography accounts I have set up, but that may change in the future.

While this site will continue to focus on still photography, more of my film and video endeavors and updates will be documented on that site. The URL is simply, www.FreeRoamingFilms.com.

Light Pollution from Las Vegas

Light Pollution on Mountains

While shooting some footage for my upcoming feature-length documentary, currently titled Reclaiming the Night, I was amazed at just how brightly lit the surrounding areas were simply from the glow of Las Vegas, specifically Red Rock Canyon National Conservation Area to the west of the city. This photo, which may or may not be used in the final film, illustrates just how bright the lights from Las Vegas are. These mountains are lit up entirely from Las Vegas’ light pollution and the Milky Way Galaxy is a forgotten remnant in the sky.

While the film will ultimately focus on the importance of dark skies, Las Vegas plays a crucial role as the antithesis of what a night sky should look like, the light spilling out and trespassing well beyond the city’s limits. – Read more

Read on Source Site

Teton County Fair 2014

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You Might Want To Buckle Up for Some Lights, Action, Endless Fun, and a Few Unexpected Twists!

Wide Shot Teton County Fair 2014

The Teton County Fair is held each year at the Teton County Fairgrounds. I look forward to the last part of June, knowing it will be in town. It’s a welcome break after being out taking wildlife and scenic photos all summer. And, it’s fun! Frazier Shows rolls in and sets up their brightly lit rides and attractions for the last five days of the fair. It’s a photographer’s paradise!  Let’s see…it’s close to home. There’s no gate fee or admission to walk around the rides and attractions. They don’t have a problem with me toting around my camera, tripod and even a remote strobe. Colors are bright. Actions is constant. What’s not to like? Based on all the big smiles and constant laughter I see and hear, it appears kids and families are having fun, too.

Fair 19

To be honest, the hardest part of making this post for Best of the Tetons is trying to figure out which images to include and how many of them people might want to see! I “kept” over a thousand images from the three or four afternoons and nights of shooting. That’s a huge number for me, but there were so many unique and interesting captures. What the heck!…hard drive space is relatively cheap, and once deleted, they’re gone.  I went through this year’s keepers in Lightroom and highlighted what felt like a “few” I might want to show here. After processing those, I ended up with a folder of around 80 of images. Now you might understand my dilemma! Here’s a quick cross section of the processed images:

Vertigo

Vertigo and Cliff Hanger: I captured a lot of similar images with simple motion blur while keeping the camera still on a tripod. I froze the action on others.

Zipper

Zipper: Some images had dizzying action, along with a little of the area’s mountainous backdrop and summer skies.

Livestock Auction

Livestock Auction: Away from the lights and action of the midway, I found traditional activities like this 4H Livestock Auction.

Wacky Shack

Wacky Shack: On the midway, I photographed a lot of images of the crowds, lights, and attractions.

Games

Salsa: People make the fair, so I stopped and captured some of them testing their luck and skills.

Rewards

Salsa Rewards: Tight—then tighter!

Golfish

Goldfish: There are lots of details! …Details of all flavors, colors and shapes. Toss a ping-pong ball in a cup and you can go home with one these little finned prizes!

Lights

Light Details: Did I mention there are a lot of chances to capture detail images?

Ferris Wheel

Ferris Wheel: This is a Ferris Wheel? Really? Each night, I spent time doing experimental photography—way above and beyond the traditional motion blurs I did in previous years. A large chunk of the keepers were shots that would be impossible to recreate. They consisted of long exposures, unpredictable motion of the rides along with variations while twisting, moving, and zooming my various lenses during long exposures.

Ferris Wheel

Ferris Wheel: This year, Frazier Shows replaced the old bulbs with a state of the art “LED Package”. They were proud of it. Lights changed colors and went through a long and varied set of patterns and colors. By the end of my shooting, I realized there is a fair people actually see, and a whole other fair only a photographer with a tripod can see.

Do you want more?

If you’ve seen enough, thanks for viewing! If you want more, the rest of the page will be filled with additional keepers and a little bit of explanation for each. I hope they will be worth your time!

Vertigo and Ferris Wheel

Vertigo, Midway, and Ferris Wheel: The first night, I added a “star filter” to the front of my Nikon 24-70mm lens. I shot with a Nikon D800 body. All of the images on this page are single shots, processed in Lightroom and then exported as JPGs for the post. The star filter was rotated so the stars were at roughly an 45° angle.

Fair 2

Cliff Hanger and Vertigo: I shot a while with the star filter, but a little of it goes a long way.

Cliff Hanger

Cliff Hanger: I found the Cliff Hanger to be the toughest ride to photograph. Why? Most of the rest of the rides have lights on the seats or capsules. After the sun goes down, the airplane shapes of this ride go black and get almost no light from an outside source. That ride needs to be captured just as the sun is going down as seen here. Of course, you can photograph it during the daylight hours, but it lacks the drama!

Zipper

Zipper: The zipper is a very dynamic ride. I rode it the first year we moved here in 1987. I was dizzy for a couple of days afterwards and haven’t been on it since. Kids have no problems. I liked this shot because it shows the ghostly capsules against the late evening light. The Zipper’s motion later in the night negates the problem of the unlit capsules.

Zipper

Zipper: This ride is really a no-brainer! On a long exposure like this one, the ride does all the work! This one was shot at ISO 100, 5 seconds, and F/22 using a Nikon 14-24 wide angle lens. I was shooting almost straight up at 14mm.

Zipper Hub

Zipper Hub: This is the hub of one of the two big wheels. I like to look for broken patterns. In this case, the missing few lights and covers tell a bit of a story and make the shot interesting. Earlier, I mentioned being able to tote around a tripod. I carried my backpack with me most the time and interchanged the 70-200mm, 24-70mm and 14-24mm lenses.

Zero Gravity

Zero Gravity: This is an example of shooting with the longer lens from a distance. This was a 2.5 second exposure at F/22.

Freak Out

Freak Out: On one of the evenings, I went early. I had a cobalt blue sky that day. I was able to stop the action on these fast moving rides, but I wasn’t too excited about the shot. In Lightroom, I grabbed the blue slider in the HSL tab and dragged it around just for fun.

Freak Out

Freak Out: When looking back the other direction, I started seeing thin clouds in the late evening skies. Most of the ride than turned into a silhouette with only a few lights adding shape to it.

Freak Out

Freak Out: Later in the night, it was easy to get long streaking lights. This one was exposed for 1.6 seconds at F/18

Freak Out

Freak Out: I liked the way the kids were having to look straight up on this one. I captured it at 14mm on a 14-24 mm zoom lens. In an attempt to freeze the riders, I opened up to F/3.5 and had to go to ISO 2000 to get a 1/200th second exposure.

Freak Out

Freak Out: Fog came out of the seats at the beginning of each ride on Freak Out. I photographed it over and over trying to capture the essence of that moment. This one was captured at 1/20th second at F/3.5.

Freak Out

Freak Out: I can “spin” my camera when it is mounted onto a 70-200 mm lens by loosening the thumb screw knob on the collar. For this shot, I exposed for a split second to burn in the “Freak Out” lettering, then spun the camera close to 360° during the remainder of the 1 second exposure. It took a little practice.

Two Mikes

Two Mikes: In one of the midway trailers, there was a big screen TV with a split/mirror effect. That’s two of me taking the self portraits.

Cotton Candy

Cotton Candy Factory: Just a simple shot of a vendor on the midway. After the first night of photography, I pitched the idea of a photo spread about Fair signage to SignCraft Magazine. They bought into the idea. The article is already on the streets with about 20 of my images from the fair.

Pizza

Pizza by the Slice: I doubt this person knew I was taking her photo.

Basketball Toss

Richard Fletcher from Hampton, NH not only knew I was taking his photo, he put on his official jacket and struck his pose for me. I took this one with an off camera strobe.

Rubber Duckies

Rubber Duckies 1: I shot this one with a wide open aperture, focusing on a ducky near the middle, allowing the ones in front and behind to go out of focus.

Rubber Duckies 2

Rubber Duckies 2: I shot shot this one at F/22 and used an off camera flash.

Light Sabres

Light Sabres: A photo of a pile of LED light sabres in a bucket along the midway.

The Line

The Line and the Light Sabre: The parents had to stand in line to ride the Ferris Wheel, but the kids were playing with their new light sabres.

Riders

Riders: I see this kind of shot in National Geographic fairly often. Something in the distance is in perfect focus, yet one or two people are severely out of focus in one of the corners. I had to time this one and it took several tries. The kids would zip by on some sort of small car.

Fair73_2014

Ferris Wheel: Lots going on here! The wheel itself is slightly in motion. Normally, you hold the camera still and twist the barrel of the zoom lens to actually zoom an image (see below). In this version, I held the barrel of the zoom lens still and twisted the camera. I clicked and held for a split second, then spun the camera in the collar of the tripod. That combination created a spiral effect during the zoomed exposure.

Sizzler

Sizzler: For this shot, I used the zoom feature on the barrel of the lens during the long exposure. I burned in the shot initially, zoomed, then stopped just before the shutter closed.

Still More?

There’s a lot on this page already! Instead of packing on too many more images in this post, I created a sister post The Abstract Fair from the 2014 Fair with all experimental abstract images.

Related Previous Posts

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If you are going to be in the area and are interested going out with me on a One-On-One Photo Excursion, check out the link and let me know! There are now 4, 6, and 8 hour options including a new PRO option.

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