Moose Falls

Moose Falls

Elevation Profile - Moose Falls

Elevation change for Moose Falls
Elevation profile and route below courtesy of the HAZ Tracks App

Distance (one-way): .1 mile
Difficulty: Easy
Best time of year: Year-round

Moose Falls is the kind of hike that is so short and sweet that there’s really no point in not doing it. With the entire hike (if you could even call it that) adding up to less than a quarter of a mile, it’s the perfect stop along your way to or from Grand Teton National Park. So whether you’ve already experienced a great diversity in Yellowstone’s waterfalls, or you’re itching for your first taste, this is a must-do partly because of its beauty and partly because of its easy access.

Moose Falls is a 30 foot waterfall pouring over a cliff along Crawfish Creek on its way toward the Lewis River. The trail to the falls is easy to follow and has very little elevation gain on its way to the brink of the falls. A small rocky staircase will lead those interested down to the base of the falls.

As indicated, Moose Falls is worth the trip any time of the year. Those making the trip on a snowmobile tour or snowcoach tour in winter are typically offered the opportunity to make the short walk to the falls.

To see more images of Moose Falls, check out my Yellowstone National Park Gallery here.

Getting there: From Flagg Ranch near the border of the South Entrance, drive up Highway 89/191 just over three miles where you’ll cross over a bridge which names Crawfish Creek below. The parking area is just after the bridge on the right (or on the other side of the road if you’re coming from the north).

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Fountain Paint Pots

Fountain and Clepsydra Geysers

Elevation Profile for Fountain Paint Pots

Elevation change for Fountain Paint Pots
Elevation profile and route below courtesy of the HAZ Tracks App

Distance: .65 mile (round trip)
Difficulty: Easy
Best time of year: Year-round

Fountain Paint Pots has the unique distinction of being one of the only easily accessible walks in Yellowstone that has great examples of all four types of thermal features. These are hot springs, geysers, mud pots, and fumaroles. With the entire walk adding up to less than three-fourths of a mile, it’s another walk that shouldn’t be passed up.

From the parking area, begin walking on the boardwalk as it takes you out toward the main features. Along the way you’ll pass by dead lodgepole pine trees that succumbed to the expansion of the geyser basin, killing the trees from the roots up.

The boardwalk splits where thermophiles from Silex Spring begin to get much more colorful. As a result, most people follow the boardwalk straight ahead to check out the spring. Silex Spring is a brilliant display of a hot spring, with bright blue water and bold orange thermophiles surrounding its edges.

The trail continues ascending a small knoll to a feature from where the path’s namesake originates. A large mud pot, bubbling with gooey mud, is encircled by the boardwalk. A mud pot is essentially the same thing as a hot spring, but the key difference is that this water is much more acidic, causing the ground to be eaten away around it. Combined with some iron in the ground, it creates a colorful palette of reds, pinks, and whites.

On the other end, the trail forks off again leading to Red Spouter and Leather Pool. Red Spouter is a great example of a fumarole (aka, steam vent). Prior to 1959, the ground where it’s now found was completely undisturbed. Then the massive 7.4 Hebgen Lake Earthquake struck creating Red Spouter (among many other features in the park), and it’s been growing ever since. If it hasn’t rained recently, the vent will be screaming so loud with erupting steam that you’ll have to yell to the person next to you so that they can hear you.

The boardwalk rises back up to the top of the knoll, and below the path in front of you lies multiple geysers. Clepsydra Geyser is nearly always erupting on the other end of the boardwalk, so that’s the one that most people will notice shooting a few dozen feet into the air. Nearby are also Jet and Twig Geysers, much smaller compared to Clepsydra. Also in the area though is Fountain Geyser, the largest geyser along the Fountain Paint Pots walk. Fountain Geyser can reach heights up to 80 feet or so and roughly 40 feet wide, making it a unique spectacle among active geysers. It only erupts on average twice a day, but that can vary. Count yourself lucky if you get to see this one going off!

The trail continues back to the split in the boardwalk, passing Celestine Pool as it brings you back toward the parking area.

To see more images from Fountain Paint Pots, check out my Yellowstone National Park Gallery here.

Getting there: From the Madison Junction, follow the highway south for just over eight miles where the parking area for Fountain Paint Pots will be on your right.

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Randy’s Fun with Camera and Friends

In my last two posts I have focused on what we might call “negative motivations” – those motivations that keep us from doing our best. Sorry if I came across as cynical.  So let’s look at the more positive motivations this time and focus on what types of experiences we encounter, or create, that help us to want to get out there and do more photography. After all in the second blog “the dozen” made it pretty clear that practice is likely to be the most important variable in helping us improve our photographic skills and our photographs.  Let me start with an experience I had last week that really got me excited about photography.

This summer I had three college fraternity brothers from back-in-the-day (more than 45 years ago) stop by our home. Two of them were part of “the dozen” (amateur photographers who had answered my 12 photography questions earlier this summer) and both were interested in stopping by to do some photography. Tom and Larry live in South Carolina and they decided to take a road-trip across the country (yea, a 6000 mile road trip) to take photographs and visit friends. I asked them if they would be interested in me arranging a one-day workshop with a professional photographer in the area. They were gung-ho about the idea and I set-up a full day workshop with Henry Holdsworth (WildbyNatureGallery.com) to visit Yellowstone in early October. It would be my first guided workshop.

It was fun to have two old friends visit, to get reacquainted, and tell stories from our days together in college. The next day we got up early to take some shots of sunrise and look for wildlife in Grand Teton National Park. It was overcast so we didn’t get any great shots and we didn’t see much wildlife until later in the afternoon. Nothing great behind the lens but we had many enjoyable discussions and a great exposure to a beautiful national park. Late in the afternoon we met my wife at a Jackson restaurant for dinner and got back home in Victor early to get ready to meet Henry at his gallery at 6:15 am. It may not sound like this could be a great positive motivator, but it set the stage. I was having fun with friends that were interested in photography and we were all anticipating a great learning experience the next day.

None of us had any problems getting up a 4:30 am and we arrived at the Wild by Nature Gallery early. It had rained over night and there was a dense fog in Jackson Hole. But I wasn’t worried or disappointed; I was pumped to get out there and take some shots. I had told Henry that Tom and Larry were excited about wildlife photography so we started looking for wildlife in the fog as soon as we entered the park – the visibility was terrible. Soon we came across a bull elk with a small harem of about five elk cows. Henry stopped the car and immediately said, “Set your ISO at about 3200 and let’s see what shots we can get.” The sun hadn’t risen quite yet and the fog was thick but leaving the ISO setting to Henry allowed me to feel confident and I started shooting. I didn’t get a great photograph but considering the conditions I was pleased. Henry had made a very difficult task (exposure setting in very low light) a realistic goal for me by helping with the ISO setting.

3 Morning Elk (1 of 1)

After the elk wandered off into the fog Henry said, “Let’s get out of the fog. Let’s drive to the top of Signal Mountain.” I never would of thought of that but I will from now on ! We drove up Signal Mountain Road in the fog until we came to a turnout and then WOW, Mount Moran was sitting on a blanket of fog. We all jumped out of the van and Henry said, “Get setup on your tripod, this may not last too long. Watch out for the dead tree on the left.” The next twenty minutes were amazing. The view of Mount Moran changed every minute and the four of us kept shooting with suggestions from Henry. It was so helpful that he wasn’t telling us what to do, but rather offered suggestions. He would look in our viewfinder, give us feedback, and invite us to look in his viewfinder. I felt in control and supported. I got what I consider to be very good photos – but I didn’t “watch out for the dead tree.” When I got home and looked at the photos in Lightroom I noticed what I consider to be a real nice bonus I didn’t see in my viewfinder – the car driving on the road below Mount Moran. It helps tell the story and I think it adds to the photo. I hope to get the “dead tree” removed when I learn more about Lightroom. Henry helped minimize the overwhelming decision-making but I’m still not quite ready for quick photos when the light is changing so quickly.

Mount Moran in the Fog (1 of 1)

As the fog moved in to cover Mount Moran we jumped back in the van and drove to the top – and another WOW ! The valley below us to the east was a blanket of fog that was changing – it seemed by the second – with the sun slightly above the Gros Ventre Mountains. The view was constantly changing but it wasn’t evaporating so we had plenty of time to LEARN. We talked about exposure, composition, the edges, and I learned important key elements to look for in my photos. We stayed at the top of Signal Mountain for over an hour, looked at each other’s viewfinders (including Henry’s), discussed what was happening and what each of us was seeing. I felt supported and confident that I was learning and improving as a photographer. Henry encouraged the three of us to make comments on the details of each person’s composition in their viewfinder and gave us specific details about what he though was strong or weak.  And I felt really really motivated. Why ?

Fog from Signal Mountain (1 of 1)

As I said in my last post, each of us is different in our motivation – both the positive motivations that get us pumped-up and the “negative motivations” that undermine the behaviors that help us to improve. So what I took from the morning with Henry, Tom, and Larry may not be true for all of you, but I suspect it is true for many of us. To save some space, let me put the positive motivations in a list:

Let’s Have Fun – This is pretty much a no-brainer but it can be something to include in your motivational plan. Taking photographs should NOT be stressful and disappointing; if you are frustrated and disheartened today, are you going to want to do this again tomorrow? Tom and Larry and I had a great time because we were with old friends that enjoyed being with one another doing something we valued. We weren’t “partying” but our conversation and interaction was woven into photography.

Learning is Enjoyable – Some of you may have had bad experiences in school, which unfortunately might lead you to believe learning isn’t enjoyable. But learning doesn’t stop when school ends. Most of what we learn in life happens after we leave school. There are a number of key elements in the process of learning that are likely to increase our motivation. Sorry but I’m going to get a little academic L and compare our experience to Ed Deci’s theory of Intrinsic Motivation. Intrinsic Motivation doesn’t require any “reward” because what motivates us is an enjoyment of what we are doing. Deci says that there are three things that help encourage intrinsic motivation:

  1. Optimal Challenge – Whenever the goals for which we are striving are challenging, and also within our grasp, we are likely to increase our positive motivation. When Henry gave me the ISO for the elk photo in the low light situation he was making the task within my grasp. Be careful about comparing your work to the work of others, that competition actually undermine your motivation. Choose realistic goals that are a challenge but not outlandish. When you have both short-term and long-term goals you can control the optimal challenge.
  2. Choice – Whenever we are put in situations where we are given choice and feel in control we are more likely to have a positive motivation. When WE decide what our goals are we are more likely to achieve them. Henry guided us at the Mount Moran turnout and at the top of Signal Mountain but he never told us what to do. He gave us choices and support for the tough stuff. And he “let me fail.” He told us to “Watch out for the dead tree” but let me learn my own lesson. I’ll check with him about how to get rid of that dead tree with Lightroom J.
  3. Informational Feedback as opposed to Evaluative Feedback – This is critical. When I see comments on FB they are almost always Evaluative Feedback: they say something like “Beautiful” but seldom explain what is beautiful about the photo. Informational feedback is a statement of what is good, or not-so-good, about the photograph: “I like the leading lines in the composition” or “I think the composition would be improved if you cleaned up the edges.” I believe that Henry is a very good teacher for many reasons but a very important reason is that he gave me specific feedback about what he thought was effective in my composition and what detracted from my composition. He setup an environment in which Tom and Larry and I critiqued one another’s photographs using specific details NOT something like “Wow, that is great” or “Boy, that stinks.”

By the way, it’s been raining here for a couple days and there was supposed to be rain today. But I got up at 5:00 am and drove to a very foggy Grand Teton National Park. I could have gotten discouraged but as soon as I saw the fog I thought, I can drive up Signal Mountain above the fog. It turned out pretty good. I would have liked some folks to talk with and share Informational Feedback but I can make it on my own.

Signal Mountain For 10-20 (1 of 1)

Homework

I imaging some of you highly motivated folks may be tired of talking about motivation, so let’s move on. The next post will focus on photographic gear. I asked “the dozen” what they believe is the most important photographic gear they have acquired that has improved their photography. Their answers were very diverse and interesting. I would like for you to think about the top two pieces of equipment (cameras, lenses, tripods, computers, software, even books) that had the most impact on your photography and send me your top-2 and why they have been important to your improvement. Come on, that isn’t that hard to do. Hit the reply button and send me your homework and any ideas you have to improve FirstanAmateur.com.

Beaver Ponds Loop

Beaver Ponds and Mountains

Elevation Change at Beaver Ponds Loop

Elevation change for the Beaver Ponds Loop
Elevation profile and route courtesy of the HAZ Tracks App

Distance: 5.75 miles (loop)
Difficulty: Moderate
Best time of year: Spring, Summer, Fall

The Beaver Ponds Loop is an excellent hike to get you away from the crowds at Mammoth Hot Springs, as well as provide you with fantastic views over the surrounding landscape. With plenty of open space, it’s also a great opportunity to potentially spot wildlife.

Tip: If you’re hiking in the evening, start the loop near Mammoth Hot Springs. If you’re hiking in the morning, start the loop from the back-side of the Mammoth Hotel. Heading in one direction or the other will be more conducive for the lighting at that particular time of day.

The main trailhead is located between the main restroom facilities and the Mammoth Hot Springs boardwalks. Begin your hike there as it follows Clematis Creek upward into a canyon. After .7 miles, the trail meets a junction which can take you farther into the backcountry toward Sepulcher Mountain, or along the Beaver Ponds Trail, the latter being our destination this time.

Take the fork to the right and follow the trail through rolling grassland hills spotted with evergreen trees. For a few brief moments, this part of the trail actually reminded me of many of the spots I saw on the stretch of the Arizona Trail that I was able to hike last spring.

View of Mammoth Hot Springs

Soon the trail opens up onto a large open hillside covered in high desert grasses. The views out toward Mount Everts and the Absaroka Mountains to the north are spectacular through this section. After enjoying the views, the trail winds back into an old forest and crosses a small creek.

Note: Along the way in this area I saw multiple pieces of litter. Under no circumstances are you ever to leave any pieces of trash behind. If you’re not prepared to carry everything out with you, then please do everyone else a favor and stay off the trail. This includes food trash, fruit peels, tissue paper, toilet paper, etc. Burying it also does not get rid of it. It’s only a matter of time before a predator comes to dig it up, endangering other hikers and subsequently leaving the trash sitting on the side of the trail. Leave no trace!

The trail continues to meander in and out of old forests and meadows until you finally come to the first beaver pond. Interestingly enough, you’ve also just crossed from Wyoming into Montana. The trail passes the pond, bringing you by another smaller one, and then to a couple of larger beaver ponds for which the trail is named. Given their size and significance, you can certainly see why such a great hike was created for them.

Bull Elk Near Water

As the trail winds around the ponds to the east, great views of the mountains to the west come into view. Also on the eastern side is where the actual beaver dams are. The trail crosses the creek just downstream from one of the dams over an old log bridge, then climbs up a small ridge where nice views open up on top.

The trail continues through the forest, and then for the last mile, brings you out onto a large plateau known as Elk Plaza. It’s a massive grasslands area that you skirted the top of earlier in the hike. Now lower down and closer to the edge of the plateau, amazing views open up out in the distance and below (though it’s nothing anyone with a fear of heights should be concerned with). The trail heads just above the old Gardiner-Mammoth Road as you near the end, and both begin working their way down the hill to the back of the Mammoth Hotel. From here, it’s a short .3 mile walk back to the other trailhead.

Getting there: From the Mammoth Hotel, either walk to Mammoth Hot Springs and look for the trail just before the boardwalk, or, walk behind the hotel to the north and access the other end of the loop where the Old Gardiner Road heads up the hill. If you’re parking your car, look for a spot near the Liberty Cap, or in the parking lot across the street from it. If that’s full, another option is near the Visitor Center a bit farther north.

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