Bands of Light

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Light passing through clouds, trees, over mountains, and filtered by any of them can enhance an otherwise “basic shot”.

If you are lucky, and if you are patient, Mother Nature offers up occasional fleeting moments to a ready photographer. Light, gets all the attention. It’s the “star of the show”, but shadows are equally important, working hand-in-hand. The dynamic duo of light and shadows can make even a basic photo pop. This page contains just a few of these magical moments I’ve captured over the years.

June 16, 2014

John Moulton Barn: June 16, 2014. Shadow Mountain is partially lit behind the barn.

October 20, 2009

Oxbow Bend: October 20, 2009. Many people set up at Oxbow Bend long before sunrise, but on most fall days, the “keeper” shots happen when early morning light hits the bank of aspens.

Bison, Aug. 17, 2014

Mormon Row Bison: Aug. 17, 2014. I’ve always liked this shot. Common wisdom would tell you most people will look at the object with the most contrast, but I’d almost bet the first bison you looked at in this shot is the bigger bull with the dust lit by the morning light.

January 22,, 2012

Sleeping Indian: Jan. 22, 2012. I think this shot needs the band of light across the bottom. It was taken from Spring Gulch Road.

Sept. 19. 2014

Washakie as the Fog Lifts: Sept. 19. 2014. This was taken along the Gros Ventre one morning as the fog lifted and as the sun cleared the eastern mountains.

July 15, 2012

Boar’s Tusk: July 15, 2012. The Boar’s Tusk is located northeast of Rock Springs. I took quite a few shots that day. In some, the rock was lit while the background was dark. I picked this one with the formation still partially in shadows and the distant prairie in filtered light.

Sept. 10, 2006

The Meadows at Arizona Creek: Sept. 10, 2006. Camas grows in this meadow during the early summer. The Native Americans harvested the bulbs there from the purple flowering plants. Other bulbs in the same area were poisonous, so they knew to take only the flowering bulbs.

July 7, 2012

The Murphy Homestead: July 7, 2012. Taken on a late afternoon of the northernmost barns along Mormon Row.

Aug. 11, 2011

Bison: Aug. 11, 2011. I took this one from the Gros Ventre Road with Death Canyon revealed behind the larger bull.

Oct. 1, 2007

String Lake: Oct. 1, 2007. Taken very early one morning during the peak color.

March 15, 2015

Murphy Barn and Homestead: March 15, 2015. Taken from Antelope Flats Road. I waited until the clouds passed over the buildings and onto the flats behind them.

Sept. 28, 2009

Morning Fog: Sept. 28, 2009. Gold morning light hit the area south of Oxbow Bend, allowing each layer to become more diffused. This isn’t exactly the same as some of the other banded light, but I included it here because of the layering effects.

Oct. 1, 2013

Blacktail Butte: Oct. 1, 2013. I took this shot from Mormon Row one morning, looking West.

Oct. 22, 2014

Bull Moose: Oct. 22, 2014. Instead of clouds, cottonwood trees cast long shadows in this scene.

Oct. 2, 2009

Mount Leidy: Oct. 2, 2009. I took this shot from the Oxbow Bend area late one evening in the fall. “Look up, look down, and remember to look behind!”

Aug. 19. 2014

Morning Bison: Aug. 19. 2014. I took this image early one morning looking east from Mormon Row. If there are fires in the area, sunrise and sunsets shots can be dramatic. Again, this shot is not as much about bands of light as bands of color resulting from filtered light.

Most of these images were captured either early in the morning or late in the evenings. Light is usually rich and interesting—casting long shadows onto the landscape and across the subjects. Watch for days with broken clouds and get out there!

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AZT – Mount Wrightson Trailhead to Gardner Canyon

Creek and Mountains

Day 8

As Twix, Salsa, Olive Oyl and I were packing up to head out for the morning, Sheriff Woody and Bill Murray (don’t get too excited – both just trail names) strolled by and waited for us to finish up so we could all head out together. Awaiting us was a steep 2000 foot climb toward the base of Mount Wrightson, the highest peak in the Santa Rita Mountains.

The trail followed the same dirt road that brought us out of Patagonia and quite a distance up until reaching another trailhead where it forked off into an actual trail, eventually climaxing at a saddle at just over 6500 feet.

Arizona Trail in Mount Wrightson Wilderness

I was hiking alone at that point, but in between the two groups of Sheriff Woody and Bill Murray and Twix, Olive Oyl, and Salsa. At the saddle I caught up with the former and unloaded for lunch and also checked on a blister which wasn’t doing great. I left my sock off and started on a large lunch, chatting with the others and welcoming up the group behind me when they arrived.

Mount Wrightson Wilderness

After a good meal and rest,  we started our descent down the mountains. It was easy going as the ponderosa pine gave way to oaks and juniper. The trail rarely ascended, so we all made good time to Gardner Canyon. The trail forks and crosses a creek, which was still flowing well, shortly before the end of the passage where we found a great campsite that even had a swing!

We each set up our own camps and gathered around an unlit firepit to eat dinner. As the skies grew darker and the coolness set in, some went to bed, and others like myself stayed up for the night sky.

Arizona Trail and Hikers
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Aaron on KHOL

Radio interviewAaron on KHOL

Both myself and Thomas Macker from the Art Association were featured this morning on Jackson Hole KHOL 89.1 radio. Brielle hosted both of us to talk about the 4th Teton Photography Symposium.

For the spring Teton Photography Group program, we’re covering photographic composition. It’s the most important aspect of photography, well ahead of exposure and basic camera management. If you don’t know where and how to point your camera, all of the exposure controls in the world won’t help you.

We’re bringing in several professional photographers and artists for this one. Attendees will enjoy speeches from:

Teton Photography Group Symposium Presenters

  • Heather Erson
  • David Agnello
  • Ed Lavino
  • Chase Dekker
  • Roger Hayden
  • Thomas Macker
  • Richard Tambor

Each of these speakers brings their own photographic and artistic genre to life. Each is special in their own way, sharing their knowledge with the audience. They’re all worth listening to, as how they view the world will help you better view yours.

The symposium is on Mar 14, 2015, from 830am to 315pm at the Black Box Theater in the Center for the Arts.

Come, enjoy, learn and ask questions. I know I will!

Aaron Radio Interview

Listen to the radio interview here:


 

Thanks to Kelly for recording this for me in her Toyota FJ (hence the tin can sound).

 

The post Aaron on KHOL appeared first on Aaron Linsdau.

Aaron on KHOL

Radio interviewAaron on KHOL

Both myself and Thomas Macker from the Art Association were featured this morning on Jackson Hole KHOL 89.1 radio. Brielle hosted both of us to talk about the 4th Teton Photography Symposium.

For the spring Teton Photography Group program, we’re covering photographic composition. It’s the most important aspect of photography, well ahead of exposure and basic camera management. If you don’t know where and how to point your camera, all of the exposure controls in the world won’t help you.

We’re bringing in several professional photographers and artists for this one. Attendees will enjoy speeches from:

Teton Photography Group Symposium Presenters

  • Heather Erson
  • David Agnello
  • Ed Lavino
  • Chase Dekker
  • Roger Hayden
  • Thomas Macker
  • Richard Tambor

Each of these speakers brings their own photographic and artistic genre to life. Each is special in their own way, sharing their knowledge with the audience. They’re all worth listening to, as how they view the world will help you better view yours.

The symposium is on Mar 14, 2015, from 830am to 315pm at the Black Box Theater in the Center for the Arts.

Come, enjoy, learn and ask questions. I know I will!

Aaron Radio Interview

Listen to the radio interview here:


 

Thanks to Kelly for recording this for me in her Toyota FJ (hence the tin can sound).

 

Go to Source